The Oscars…it’s a show that’s all about the audience, and an event where you’ll be less likely to find faux pearls than faux pas…but, rather than focusing on the award-giving awkwardness that occurred, we’re here to shine a spotlight on the many fabulous adornments that decorated the attendees!
What does the concept of “Helios” mean to you?
This series, “Helios,” falls within my interest in and investigation of how we, as humans, have always responded to the world as we perceive it. So, more broadly, it belongs to the ‘passage of Time’, historical/prehistorical part of my work.
Just like my much earlier series “Les Animaliers” was not about animals per se, but about how we have interpreted them (an ‘animalier,’ in French, is a painter who specializes in animals as subjects), “Helios” attempts to view the Sun as ancient to modern people have seen it: a constant and inescapable presence, overwhelming at times –weak and endangered, perhaps, at others– and capable of multiple interpretations.
That those interpretations have almost always been very graphic testifies to our need for control and self identification: giving the Sun facial features is a very ancient, anthropocentric attempt at understanding it, and hopefully bringing its course under human control. Maybe if the sun is human-like, we can reason with it?
What does “Helios” mean to history? To jewelry?
Given how central the Sun, in its incredible power, is to human survival, I ponder how original sun cults eventually evolved into modern religions! Was it necessary to diminish the sun’s power by erecting defenses? Other, stronger gods to confront its influence?
Certainly Luna, the moon, is more often female, while Sol, the Sun, might more often have been seen as male- though not always.
Why? And why is the Sun’s face often bland? It is only occasionally that we encounter a favorable expression, or even a particularly angry one.
…And why did humans resist putting the Sun at the apex of their gods, when in fact its influence determines whether they eat or not, survive another year or not? How come Jupiter, how come Baal, how come any other gods came to be seen as more powerful?
What can we expect to see stylistically in this series? Any stones or motifs of note?
How interesting that we are conflicted about the sun: it is the best of things, it is the worst of things. We tan, or we wield parasols. Primitive tribes wailed in anguish during solar eclipses: it was dying, maybe not to return! If we use HFC’s, skin cancer rises. But then it’s beach season again.
So my suns will be both sunny and angry, they will be crowned in beauty with opals, and bare of ornament. They will be subdued, or blazing with diamonds, like the costume designed for Louis XIV, the Sun King. Red spinels, mandarin garnets, yellow sapphires.
But we too suffer when Helios, or Sol, removes itself. Its loss, or absence must, too, be celebrated, albeit in somber tones of black spinels, grey and mauve moonstones, and labradorites…
And there should also be peasant suns, enthroned over parched fields of jasper with plump golden rays enlivening sere landscapes, and uncertain suns, November suns, of pale citrine and quartz.
How does this series fit into your work as a whole?
When we celebrated our 25th year at the gallery, a “Deja Vu” series replayed some favorite pieces in a new guise in honor of the occasion. This time, as we prepare to honor our 30th year next year, I have taken a few other favorites –rings in this instance– and asked them to present homage to Helios as a special addition to the series. You will see a special version of the Acanthus ring, the Medieval ring, and a few others among the new Helios pieces. It is my way of paying obeisance to earlier inspirations while forging ahead, as I hope to do for many years to come.
Did you ever encounter anything related to Helios during your time as an archaeologist?
Heraldry…it is a medieval code of graphic design, and very precise. A heraldic sun’s straight rays always mean Light, but its oscillating rays have to mark Heat. Ancient Incas must have known this: their sun, who is a short-statured warrior, holds in his quiver both curved and straight rays.
Here too, is duality, which we must observe and portray. Heat and light: observe both in the political fray…perhaps more heat than light, alas.
To view Eve’s series, “Helios,” join us in celebration at the Eve J. Alfillé Gallery & Studio on November 19 from 1pm to 7pm.
The new series will be celebrated on Saturday, April 30, 2016 from 1:00 p.m – 7:00 p.m. at the Eve J. Alfillé Gallery and Studio, and will allow guests to indulge in beverages, food, live music, and Evanston-made art jewelry.
Evanston, IL – Get your walking stick and rucksack ready, because it’s almost time to traverse some terrain with Evanston’s resident citizen of the world, Eve Alfillé. This world-conscious creator has tackled fields ranging from history to language and more with her art jewelry, and is using her latest series to explore even more of the world she loves. The series, “Latitude & Longitude,” will be celebrated at the Eve J. Alfillé Gallery & Studio on April 30 by fans of jewelry and geography alike!
No world capitols, no school quizzes! Alfillé’s exploration takes us back to the physical world, and how we learned to relate to the space we inhabit and the lands and seas beyond. Each place, both familiar and foreign, will be evoked with materials ranging from pristine diamonds to baroque pearls to unruly fossils that celebrate the world in all its textures…wavy seas, grainy sands, and more will have a place on Eve’s map.
Symbols will also be key: a compass rose, a pendulum, birds in migration, the fish of the seas, along with a circle of ebony to represent the unity of the earth and all things in it. Above all, Eve stresses the importance of solidarity in a world with as many varied passions and opinions as there are latitudes and longitudes.
The opening celebration promises to be worth the trip– tantalizing treasures await, including a raffle for a stunning necklace and pair of earrings designed by Eve just for the party (no purchase necessary!). Come test your luck at the raffle, or simply enjoy the party atmosphere with a glass of Champagne! Festivities will also include delicious catered treats by Donna Goodman and musical stylings of jazz duo, The Casual Flyers. All earthlings are invited!
The new series will be released and celebrated on April 30, 2016 from 1:00 p.m – 7:00 p.m. at the Eve J. Alfillé Gallery and Studio. To ‘book your trip,’ send us your RSVPs at 847-869-7920 or by email at firstname.lastname@example.org. To learn more about Eve Alfillé and her inspiration, go to www.evejewelry.com.
The garnet: an ancient gem, it has been seen adorning the fashionable ever since the pharaohs! Today, the stone is hailed as the birthstone for the month of January; a precious element of warmth and color during the depths of winter, but also an excellent way to celebrate each new year as it arrives!
This stone is both diverse and of great historical significance. It is largely known for its “carbuncle” shade, a term which once referred to just about any red gem, but today means the species of garnet called “Almandine. ” Carbuncle”, from the Latin term for “live coal” denotes its inner warmth, and is also the most common type of gem garnet. This is the shade which we see most often in art of the ancients, from the jewel-encrusted weaponry of the Anglo-Saxons to the garnet-encrusted crown of such illustrious royalty as King Otto of Germany, with a famous garnet called the “Wise One.”
In religion, this stone is known to be a root chakra stone. According to some beliefs, it can be used to gain access to ancient memories, and is a recommended stone to use for past life regression. In Indian mythology, the garnet is called the “Kundalini fire,” or ‘fire of eternal metamorphosis.’ It is also believed to have an energizing effect in the bedroom!
Like sapphires, which are known for being blue (but actually come in an entire rainbow of colors), garnets are much more “multi-faceted” than given credit for! For instance, the red “carbuncle” shade is the most well known, and yet these diverse stones come in colors ranging from greens to oranges, pinkish oranges to deeply saturated purplish reds. These colors can be classified by a whole family system, dictated by each garnet’s chemistry as well as by its color. The garnet group breaks down into species such as pyrope, almandine, spessartine, grossular, and andradite. These species break down into varieties, such as the exquisitely green and sparkling “demantoid” garnet from the Andradite species.
Demantoid garnets were also a favorite of 19th-century jewelry designer Louis Comfort Tiffany, and can often be seen in his American Arts & Crafts-style jewelry. And, as great minds think alike, demantoid garnets are not infrequently seen in Eve’s work! Her fondness also extends to a whole color palette of tsavorite garnets (deep green), mandarin garnets (rich orange,) and a myriad of others just waiting to be set into a project! Come in and see!
Just unearthed last week by the relatively minor diamond company, the Lucara Diamond firm, this unnamed stone has already been shattering records! It now comes in second only to the Cullinan diamonds of British crown jewel fame. In fact, Lucara may not remain minor for long: with this discovery, followed a mere 24 hours later by the discovery of two more strikingly sizeable diamonds in the same area, the company’s stock immediately inflated by 37 percent upon public revelation of the find.