The Oscars…it’s a show that’s all about the audience, and an event where you’ll be less likely to find faux pearls than faux pas…but, rather than focusing on the award-giving awkwardness that occurred, we’re here to shine a spotlight on the many fabulous adornments that decorated the attendees!
What does the concept of “Helios” mean to you?
This series, “Helios,” falls within my interest in and investigation of how we, as humans, have always responded to the world as we perceive it. So, more broadly, it belongs to the ‘passage of Time’, historical/prehistorical part of my work.
Just like my much earlier series “Les Animaliers” was not about animals per se, but about how we have interpreted them (an ‘animalier,’ in French, is a painter who specializes in animals as subjects), “Helios” attempts to view the Sun as ancient to modern people have seen it: a constant and inescapable presence, overwhelming at times –weak and endangered, perhaps, at others– and capable of multiple interpretations.
That those interpretations have almost always been very graphic testifies to our need for control and self identification: giving the Sun facial features is a very ancient, anthropocentric attempt at understanding it, and hopefully bringing its course under human control. Maybe if the sun is human-like, we can reason with it?
What does “Helios” mean to history? To jewelry?
Given how central the Sun, in its incredible power, is to human survival, I ponder how original sun cults eventually evolved into modern religions! Was it necessary to diminish the sun’s power by erecting defenses? Other, stronger gods to confront its influence?
Certainly Luna, the moon, is more often female, while Sol, the Sun, might more often have been seen as male- though not always.
Why? And why is the Sun’s face often bland? It is only occasionally that we encounter a favorable expression, or even a particularly angry one.
…And why did humans resist putting the Sun at the apex of their gods, when in fact its influence determines whether they eat or not, survive another year or not? How come Jupiter, how come Baal, how come any other gods came to be seen as more powerful?
What can we expect to see stylistically in this series? Any stones or motifs of note?
How interesting that we are conflicted about the sun: it is the best of things, it is the worst of things. We tan, or we wield parasols. Primitive tribes wailed in anguish during solar eclipses: it was dying, maybe not to return! If we use HFC’s, skin cancer rises. But then it’s beach season again.
So my suns will be both sunny and angry, they will be crowned in beauty with opals, and bare of ornament. They will be subdued, or blazing with diamonds, like the costume designed for Louis XIV, the Sun King. Red spinels, mandarin garnets, yellow sapphires.
But we too suffer when Helios, or Sol, removes itself. Its loss, or absence must, too, be celebrated, albeit in somber tones of black spinels, grey and mauve moonstones, and labradorites…
And there should also be peasant suns, enthroned over parched fields of jasper with plump golden rays enlivening sere landscapes, and uncertain suns, November suns, of pale citrine and quartz.
How does this series fit into your work as a whole?
When we celebrated our 25th year at the gallery, a “Deja Vu” series replayed some favorite pieces in a new guise in honor of the occasion. This time, as we prepare to honor our 30th year next year, I have taken a few other favorites –rings in this instance– and asked them to present homage to Helios as a special addition to the series. You will see a special version of the Acanthus ring, the Medieval ring, and a few others among the new Helios pieces. It is my way of paying obeisance to earlier inspirations while forging ahead, as I hope to do for many years to come.
Did you ever encounter anything related to Helios during your time as an archaeologist?
Heraldry…it is a medieval code of graphic design, and very precise. A heraldic sun’s straight rays always mean Light, but its oscillating rays have to mark Heat. Ancient Incas must have known this: their sun, who is a short-statured warrior, holds in his quiver both curved and straight rays.
Here too, is duality, which we must observe and portray. Heat and light: observe both in the political fray…perhaps more heat than light, alas.
To view Eve’s series, “Helios,” join us in celebration at the Eve J. Alfillé Gallery & Studio on November 19 from 1pm to 7pm.
Is your bathroom a bit boring? Is your lavatory too lackluster? Leave the porcelain to the plebeians! The latest in privy improvements can now be experienced at the Guggenheim Museum in New York since Italian artist and editor of “The Toilet Paper” magazine Maurizio Cattelan has unveiled his latest exhibit: America.
This solid-18-karat-gold treasure of a toilet is now available for public reception on the fifth floor of the museum, which the artist intended to be fully functional as well as fashionable. Despite its current popularity with guests, the fabulous facilities were initially delayed: though the piece was created to be a working replica of a common Kohler model, the grand unveiling was delayed due to technical difficulties. According to the museum spokeswoman: “to the museum’s knowledge, this kind of casting process has never been done before.”
Ironically, despite the perniciousness of the plumbing, this is not the first golden toilet to grace bathrooms of the world (despite its clever monicker, “America”). In Hong Kong, a 24 karat solid gold toilet is included in the Hang Fung Gold Technology Group’s showroom. Elsewhere in Asia, a Saudi King kindly gifted a golden toilet to his daughter on her wedding day with the additional present of a wedding dress designed to embody all the glamour and style of the ancient pyramids. This strikingly geometric silhouette is the boldest choice in design since Marcel Duchamp’s “Fountain,” another bathroom accessory fit for the annals of art history.
The new series will be celebrated on Saturday, April 30, 2016 from 1:00 p.m – 7:00 p.m. at the Eve J. Alfillé Gallery and Studio, and will allow guests to indulge in beverages, food, live music, and Evanston-made art jewelry.
Evanston, IL – Get your walking stick and rucksack ready, because it’s almost time to traverse some terrain with Evanston’s resident citizen of the world, Eve Alfillé. This world-conscious creator has tackled fields ranging from history to language and more with her art jewelry, and is using her latest series to explore even more of the world she loves. The series, “Latitude & Longitude,” will be celebrated at the Eve J. Alfillé Gallery & Studio on April 30 by fans of jewelry and geography alike!
No world capitols, no school quizzes! Alfillé’s exploration takes us back to the physical world, and how we learned to relate to the space we inhabit and the lands and seas beyond. Each place, both familiar and foreign, will be evoked with materials ranging from pristine diamonds to baroque pearls to unruly fossils that celebrate the world in all its textures…wavy seas, grainy sands, and more will have a place on Eve’s map.
Symbols will also be key: a compass rose, a pendulum, birds in migration, the fish of the seas, along with a circle of ebony to represent the unity of the earth and all things in it. Above all, Eve stresses the importance of solidarity in a world with as many varied passions and opinions as there are latitudes and longitudes.
The opening celebration promises to be worth the trip– tantalizing treasures await, including a raffle for a stunning necklace and pair of earrings designed by Eve just for the party (no purchase necessary!). Come test your luck at the raffle, or simply enjoy the party atmosphere with a glass of Champagne! Festivities will also include delicious catered treats by Donna Goodman and musical stylings of jazz duo, The Casual Flyers. All earthlings are invited!
The new series will be released and celebrated on April 30, 2016 from 1:00 p.m – 7:00 p.m. at the Eve J. Alfillé Gallery and Studio. To ‘book your trip,’ send us your RSVPs at 847-869-7920 or by email at email@example.com. To learn more about Eve Alfillé and her inspiration, go to www.evejewelry.com.
An illuminating discovery was unearthed only weeks ago in Angola, Africa, unexpectedly escalating the shares of the company responsible by 29 percent. Lucapa Diamonds, an Australian-based mining company, was already in the public eye following the recent discovery of three other diamonds over 100 carats from their Lulo mine in recent history.
The uncovering of a diamond of spectacular proportion, however, broke all of these records: a 404.2-carat behemoth of a diamond was found, sporting a top-tier D-color and Type IIA. The stone itself measures about seven centimeters in length, which would be comparable to wearing a diamond ring the size of your finger itself.
While the final fate of the gem is unknown, it caused a stir at market when the stone sold for $22 million Australian dollars, or roughly $16 million in the US. That’s quite a bit of change, with an estimated $55,585 per carat!
This stone is currently measured as the 27th largest recorded diamond in history, following such illustrious diamonds as the Cullinan diamond found in South Africa in 1905…And if rare stones such as these are your fascination, there are many minerals far more rare than diamonds! Keep an eye on the blog in the coming weeks to possibly read about them in a future story.